Baillie and Hatton defection to Ogilvy creates ripples at BBH

October 14, 2009

Baillie/HattonWhat’s really interesting about the appointment of Hugh Baillie as chief executive of Ogilvy Advertising is that he’s part of a breakaway. And the break is away from Bartle Bogle Hegarty.

Former group business director Baillie is being joined by Rachel Hatton as group head of strategic planning, and planning director at the ad agency. Hatton was head of planning at BBH during what may come to be seen as its heyday, when it won all those awards, culminating in the IPA Grand Prix and Agency of the Year title in 2008. Baillie helped to win the global Johnnie Walker business and has led some of the agency’s key accounts, Axe/Lynx, Britvic and Surf among them. Both are BBH stalwarts, Baillie having joined from Saatchi & Saatchi in 1998, and Hatton from Boase Massimi Pollitt (BMP) in 2000.

So, this is a significant coup for Ogilvy and a significant set-back for BBH. Baillie and Hatton come as a team (for example, they both worked on Britvic). It’s a little like that buddy-buddy wrench at DDB London when Paul Hammersley, then ceo, and David Hackworthy, planner, quit to go to The Red Brick Road in 2005.

What makes this worse for BBH is that the defection of senior staff to WPP agencies is becoming a habit. Richard Exon, ceo of RKCR/Y&R, once occupied a similar position to Baillie at BBH. True, he was seduced across at managing director level, and got the top job only after James Murphy set up his own agency, Adam & Eve. But let’s not split hairs. There was also the unfortunate matter of John O’ Keefe, who sat in the BBH creative pantheon only one echelon below Sir John Hegarty. He decided to seek his fortune as global creative director at WPP. Then there’s Guy Murphy, head of global planning, and Russell Ramsey, executive creative director, JWT London. Why has JWT come knocking on BBH’s door? Well, who else’s? BBH is the one to beat in JWT’s competitive creative set, and has the most clients in common (Unilever, Diageo and Vodafone spring to mind). If you can’t beat them, get them to join you, you might say.

Nor is the BBH exodus confined to WPP. Derek Robson quit to go to Goodby, in the USA, as a managing partner; Penny Herriman is managing director and – some would say – soon to be ceo of WCRS; Chris Harris was poached as managing director of Leagas Delaney.

Swallows not making a summer? Well maybe. Any agency which has attained the status of BBH is fair game for the headhunter. In a  sense, it’s a back-handed  compliment that rival agencies feel the need to pillage BBH for top talent.

Nonetheless, another conclusion can also be drawn. And I would be very surprised if this did not condition the thinking of at least some of those senior people who have recently defected. BBH is now 27 years old and in the throes of generational change. It has greatly expanded (into a micro-network) – which in itself offers fresh opportunity for younger talent. And in fairness it has tried hard to bring on a cohort of younger managers – of which London chief executive Gwyn Jones is perhaps the most prominent example. This has not been enough to quell mutinous thoughts in the marzipan layer, a few to the point of defecting. Of course, some of these people may have been talented, but not talented enough. BBH, like everyone else, has had to make some harsh decisions about the size of its workforce, which has been, literally, decimated. One in ten has gone or is going. Nevertheless, I cannot believe that every one of the top-flight defectors has had an assisted exit. After all, it’s also the case that the route upstairs, managerially speaking, is now blocked; and for ambitious people that is a signal to start looking elsewhere.

It is hard to think of BBH without Nigel Bogle, Jim Carroll or Simon Sherwood. On the other hand, if they do not outline their retirement plans in the foreseeable future, the result will be rebellion or atrophy. BBH, at very best, will become less an agency, more a law firm overloaded with “partners”. Not an enticing prospect for the UK’s premier creative shop.

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Ogilvy’s Leih plans spring rebound

July 18, 2009

Gary LeihQuit while you’re ahead. It’s a maxim that ageing admen find as hard to follow as ageing politicians and sportsmen. Not so Ogilvy Group’s UK chairman and chief executive Gary Leih, however.

Leih recently celebrated his 50th birthday and has decided to do something else. That something else involves taking some gardening leave in his native South Africa and then returning to the UK next spring to open a new shop. Leih is being studiously vague about the nature of this enterprise (no doubt wisely), but he claims to have a number of “stars” lined up as partners and to be doing something with the “digital/content” interface. More certain is the date of its establishment, about April 4 next year.

It’s worth noting that Leih the entrepreneur is not a new phenomenon. Although he has spent the bulk of his career at Ogilvy (in several countries) he also took time out in the late eighties to establish a successful start-up in South Africa, called The White House. And again, around the turn of the century, Public Image, this time in Australia.

Leih will be missed on the UK ad scene, even if it is a temporary absence. In a world where there are fewer and fewer personalities, he was without doubt one of them, what with his breezy, candid manner and an avowed fondness for eccentric shirts and chardonnay. He was part of a mid-decade influx of senior management talent imported from the southern hemisphere. Unlike his more abrasive contemporaries, James Hall at Saatchi & Saatchi and Matthew Bull at Lowe, Leih stayed the distance.

He made it onto the Ogilvy & Mather Worldwide board in autumn 2006. But if Leih harboured ambitions of becoming the next Worldwide ceo, after Shelly Lazarus stepped up to chairman at the end of last year, he was to be disappointed. The promotion went to Miles Young, then chairman of O&M Asia/Pacific.

Did he succeed in doing what he was brought in to do at Ogilvy? Yes and no. It’s fair to say he stopped the rot. Ogilvy had drifted downwards in the years before 2005 without anyone being able to put a finger on exactly why. Leadership was certainly an issue. Visits to the agency at that time revealed a reel which agreeably surprised, if only because expectations of Ogilvy’s creativity had fallen so far below those of sibling WPP agency JWT. Leih did not bring about a creative renaissance, but he did win some useful business, such as easyJet (for a while) and Barclays Capital. And he did manage to implement radical and much-needed streamlining of agency senior management without breaking too many heads. I imagine his biggest disappointment was, despite best efforts, his failure to deliver Ogilvy from the clutches of Canary Wharf, adland’s Journey’s End.


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