Max, Dan, Jerry – 2012′s out-performers

December 14, 2012

League tables of achievement are as commonplace as turkeys right now. Why burden you with another one? Well, I’ve been asked to – by the good folk at More About Advertising. So:

Ad of the Year. Yes, I liked BBH’s “The 3 Little Pigs” and Creative Artist Agency’s Cannes Chipotle winner. Also, Del Campo Nazca Saatchi & Saatchi’s work for – of all improbable B2C clients – air-conditioning specialist BGH. Of which this, directed by Juan Cabral, is the latest instance:

As MAA’s Stephen Foster puts it – “bleakly comic”.

My favourite, though, was “Follow the Frog”, a quirky satire of the desk-bound yuppie eco-warrior fantasising about making the World A Better Place. Writer, director, copywriter, art director is Max Joseph – clearly a bit of an Orson Welles in the making. The commercial was produced by Wander Films, a creative boutique in Los Angeles. The moral? You don’t need to go to the ends of the earth to save the rainforest. Just Follow the Frog by buying kitemark-certified Rainforest Alliance products. They’ll do all the ethical heavy-lifting for you: sustain the forests, uphold socially equitable farming methods, and guarantee that what you buy is economically viable:

It’s long – but isn’t nearly everything these days? The measure of the made-for-internet film is not its length, but how well it sustains our interest. On this criterion Follow the Frog succeeds very well. It’s got a good tale to tell, is directed with panache and enlivened by bold use of graphics. Oh, and it uses gentle humour to camouflage the piety of its evangelical message. Yes “Siri”, it get’s my vote.

Agency of the Year. I won’t beat about the bush: it’s got to be Wieden & Kennedy. International networks frequently produce isolated instances of brilliance (Del Campo being an example within the Saatchi organisation). Exceptional work, simultaneously executed on a number of fronts, is another matter. To take an investment analogy, W&K is a momentum stock outperforming in all its main markets. Whether that’s Clint fronting for Chrysler at the Super Bowl:

… London winning the £110m Tesco account – but also producing some of the most interesting creative work since “Grrr”:

Or Amsterdam’s slick spoof for the latest James Bond film, which neatly segues into its current Heineken campaign:

Person of the Year. Tempting to mention the name of Joel Ewanick, isn’t it? No one can be said to have made a bigger splash in the world of marketing over the past year. Arguably, however, the now-dismissed chief marketing officer of General Motors made headlines for all the wrong reasons. A change agent he certainly was, but were any of his changes for the good? And what sort of permanence will they have? We hacks miss him, but I suspect the wider marketing community will not.

Jerry BuhlmannInstead of anti-hero, therefore, I’ve plumped for a gritty go-getter: marketing services’ answer to Daniel Craig. Like Craig, he certainly wouldn’t be everyone’s first choice as the archetypal smooth operator. But his coolness under fire cannot be doubted. Step forward Jerry Buhlmann, chief executive of Aegis Group plc. If there is one thing archetypal about Jerry, it’s that he’s a self-made media man. He started off in the “five to one” slot, in other words the lowest of the low in the full-service agency hierarchy, at Young & Rubicam in 1980. Nine years later, he was setting up his his own media-buying outfit BBJ – along with ultimately less successful Nick Brien and the downright obscure Colin Jelfs. BBJ – nowadays Vizeum – though successful (it handled for example the BMW account) was originally a “second-string” shop for conflicted WCRS media. Buhlmann’s career really took off when WCRS’s Peter Scott had the inspired idea of acquiring Carat – Europe’s largest media buyer – and floating off the combined operation as a separate stock market entity, rechristened Aegis. Buhlmann and his company were soon swallowed up by the independent media specialist, which offered him much wider career opportunities.

But was he a man capable of capitalising on them? While no one has ever doubted Buhlmann’s single-minded ambition to succeed, a lot have wondered whether he had the competence to do so. Yes, he had a mind like a calculator and razor-sharp commercial acumen, but where, oh where, were those human skills no less essential for making it to the top of the corporate pile? There was much mirth in the senior reaches of the media industry when Buhlmann got his first big break as head of Aegis Media EMEA in 2003. “It’s like William Hague trying to emulate Margaret Thatcher” was a typical response to his promotion. Then, as later, Buhlmann’s critics completely underestimated his ability to learn on the job. When he became group chief executive in 2010, the reception was scarcely less friendly. The master of ‘focus’ and ‘detail’ was incapable of taking the broader view vital to successfully running a publicly-quoted company, it was said. And then there was Jerry’s far-from-diplomatic demeanour: how long before he rubbed the City up the wrong way and had to be dispensed with?

It wasn’t as if Aegis was an easy company to run, either. As a (near) pure-bred media specialist, it was susceptible to squalls in the media every time the inevitable financial scandal broke. Inevitable, because media buying and peculation are bedfellows and peculation distorts financial performance – meaning in Aegis’ case it had to resort to highly public mea culpas every now and then. Other major media outfits, by contrast, have been able to rely on defence in depth from the much bigger marketing services organisations to which they belong.

Not only that, Aegis’s card was marked as a public company. For years, it laboured under the strain of being a takeover or break-up target. The strain became nightmarish when Vincent Bolloré, the shareholder from hell, took a strategic stake in Aegis and began engineering a series of boardroom coups.

Some of the credit for Aegis’ eventual soft-landing – a 50%-premium, £3.2bn cash deal with Dentsu, sealed last June  – must go to Aegis chairman John Napier. But that still leaves a lot owing to Buhlmann himself. Not only did he keep all the plates spinning in difficult circumstances, he also demonstrated a strategic clarity which eluded his predecessors. He ruthlessly pruned the company of its lower-margin research operation (by disposing of Synovate to Ipsos), but at the same time bolstered its pure-play media-buying profile with the geographical add-on of Mitchell Communications.

Not a bad result, all in all, for the man once dubbed the king of the second-string.

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Churchill bereft after speeding offences put Martin Clunes on his bike

November 20, 2012

It says something for Martin Clunes that we will miss him co-fronting those Churchill insurance commercials. The actor, goofier and more touchy-feely in real life than his dour Doc Martin persona suggests, nevertheless has a strong competitive streak which has proved his undoing. After a belting performance in a BMW 6 Series during a Top Gear episode long ago, the adrenaline rush has gone to his head – and he has now maxed out on speeding penalty points. Loss of his driving licence is clearly incompatible with a role as brand ambassador for a “safety-first” financial services company.

WCRS, the ad agency that has handled the Churchill account since almost time immemorial, tells us it has no more Clunes ads in the can. Whether, after a year, Clunes really had run his course as an ad property or the agency is simply trying to make a virtue of necessity with a face-saving statement, I have no idea. The fact remains that Clunes’ partnership with the near-monosyllabic animatronic bulldog mascot will prove a hard act to follow.

Branding devices that create instant recognition like the Churchill bulldog are marketing gold-dust. But they are also a cross to bear for the agency handling the account. Many years ago I well remember Tony Toller – creative director of Davidson Pearce, the agency then in charge of the notorious “Chimps” Brooke Bond PG Tips account – lamenting that he hadn’t gone into the ad business to become an animal trainer. The very simplicity of this type of branding device constrains creativity and makes evolution in new market conditions extremely difficult. The Andrex labrador puppy is another case in point.

Clunes indisputably opened a new chapter in the nodding dog saga. Not since John Prescott departed from the political stage had “Churchill” found such a natural human doppelgänger. The result of the pairing was a series of Wallace & Gromit-style antics that far transcended other, recent, comedic endorsements of the brand.

The question for WCRS – and indeed, for the bulldog himself – is: where to now?


Dave ‘n Dave – an agency/media dialogue

January 31, 2011

Dave, the UKTV digital channel, has just lost the first – and quite possibly only – round of a name-change battle with the eponymous Engine subsidiary which first bagged it in 2003 and has since mounted a legal challenge, claiming conflict of interest. Here we imagine some witty banter between the two Great Portland Street neighbours…

Agency Dave: So – er –Dave, looks like you’re going to have to change that moniker now, doesn’t it (sarcastic titter)? What a silly boy – didn’t do our homework did we? Of course, if you’d come to a proper brand specialist – such as ourselves – before taking the plunge, you wouldn’t have got into hot water with all this EU Office of Harmonisation in the Internal Market bollocks. ‘Stead of which, you’ve taken a right old pasting. Time for another radical repositioning exercise, my son. Ooh, expensive!!

Media Dave: Don’t be so sure, Dave. We’ve lost the first round but not the battle. We’ve got two months to appeal. And even if we don’t, you can whistle for the money – and the name-change. It will take you and your legal chums Lewis Silkin over a year to get anywhere. Which is long enough to show the industry how bloody-, or is that petty-? minded, you’re being about a matter of zero interest to any client. In the court of public opinion, there’s no contest. We chose a name – un-trademarked as it happens (how unprofessional is that, Dave; call yourself a brand consultancy?) – which perfectly encapsulated our programme content and audience. You know, Top Gear, Red Dwarf, Mock the Week… Doh! It’s about blokes, innit?

Whereas you picked any old name off a heap to “distinguish” your agency from all the others. “Distinguish” (snort): don’t make me laugh. “Dave”? Distinction, from what? It’s the commonest name out there. Oh yes, we remember now: from all those other agency monikers that come in triplicate, or quadruplicate – like Wight Collins Rutherford Scott, for example. Must have taken all of five minutes in the head-banger to come up with that one. And what a corker when it popped out! Dave, as distinct from Woo, or perhaps Personal, or even Engine. Pure stream of consciousness, with branding seared right the way down the rock – not.

Agency Dave: You may laugh, but we’ll have the last one. We’re  talking about the EU here, not your court of public bloody opinion. We warned you back in 2007, when you came up with this hare-brained rebranding idea – there would be consequences. But you chose to ignore us, you arrogant git. And now you’re going to pay.

Or maybe you haven’t got the money? Tell you what. We’ll settle for nothing. You come on air with a blank screen and we’ll let you keep the Dave name (which obviously means so much to you) on your decorative magnets and stationery. Now, how tender-hearted is that?


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